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Christine Alfery’s studio is nestled in the woods in Vilas County Wisconsin on a lake on an Indian Reservation. There she finds the peace and freedom to paint. Laura Fiser, Curator of Collections at the Paine Art Center in Oshkosh, described her work as “an exceptional mix of spontaneity and expressiveness.” Her palette is both understated and lush.” Julie Ganzer from the University of Wisconsin-Madison states that, “through the artist’s use of line, texture and bright color, simple ‘organizms’ almost literally bounce and wriggle through …” her work. These “organizms” Christine calls “critters” and they appear in all of her work along with other visual symbols such as ladders, wheels, kisses, hugs, whirly gigs and other playful things. Christine tells stories with these visual symbols about things she loves and cares for. Her work, according to national watercolor artist Stephen Quiller, is “playful and has a nice energy.”

Christine shows her contemporary, conceptual work nationally and internationally. She competes in watercolor competitions around the world. She has won over 100 national awards and is a signature member of 10 national watercolor societies. Her studio is open by appointment. She welcomes and treasures visits from art lovers from all over the country. She welcomes your visit to her studio nestled in the northwoods. All of Christine’s work is for sale.

Reviews

Merit Award. “The Song The Wind Sings,” 40x60 acrylic on canvas. “A highly abstracted and exploding composition, layered of quantitative forms superimposed upon an ambiguous landscape suggesting a tectonic cleft, as a storied map of describing evolution and transcendence.

Ken Bloom, Judge

Curator, Artist. Duluth, Minnesota

"General Sherman Tree- Sequoia National Park" was awarded a merit award in the exhibition, Alive in the Arts at the Plymouth Arts Center in Plymouth Wisconsin.  "General Sherman Tree:" Bold.  Gestural painting with vigor and restraint simultaneously.  The strength and nature of the tree comes across very well indeed."

Graeme Reid, Juror

Director of Collections & Exhibitions Museum of Wisconsin Art

“Three Koi In The Pond,” was selected as a finalist in the Abstract / Experimental category of The Artist's Magazine 34th Annual Art Competition.   “Three Koi In The Pond” was chosen out of over 5700 entries, it is truly an achievement that your work "Three Koi In The Pond, “was among the ones to be sent to the jurors.”

Michael Woodson

Associate Editor of Artists Magazine

Christine Alfery’s works are carefree, impulsive, vivacious, sometimes monochromatic, more often colorful, and always executed with a touch of humor. A stroll through the gallery is like walking in a English garden, a place where colorful plants turn space into a freewheeling exploration of nature.

James Nelson

The Birmingham News

“End of The Day” Best of Show Manito Art League, Manitowish Waters, WI. “One of the things I most admire about painters is the ability to develop a unique language to express something deeply felt but not apparent. In this work, the gestural marks work like calligraphy and refer to the Asian tradition and sensibility in which each touch of the hand describes a growth, and decay. These marks perfectly pair with the subject matter, an old tree, and even though the tree isn’t represented form one point of view with the light falling on it, I feel its life cycle, its structure, its energy and its release into surrounding space. I like how some of the lines that seem to be shed branches contain little bits of energy ready to be released. This is a very encouraging and wise work that also display, like a very adroit dancer, a great sense of timing, an elegance of movement, and knowing mark-making that bravely delves into the medium’s fluidity and freedom, and yet hits the mark right on every time it meets the surface."

Diane Budde, MFA, Judge

University of Wisconsin Marathon County

Robert Burridge Experimental Acrylic/Mixed Media Award. “Golden Nuggets.” 44th Annual Western Federation of Watercolor Society. “Golden Nuggets has a lot of different techniques – line, color, texture. It’s very fun and expressive.”

Kathleen Conover, Juror

Best of Show. “Ringmaster’s Coat,” Watercolor and acrylic on paper. “The perspective in this painting is abstract and compelling. You can feel the hum and vibrancy of the circus, combined with a vibrant depiction of the ringmaster as he controls, or ties to control the chaos. 

Anne Katz, Judge

Executive Director of Arts Wisconsin

Christine Alfery’s energetic brushstrokes, subtle colors and delicate line work metaphorically vibrates the life that exists and is growing in the “Eagle’s Nest.”

Kathryn Petke

MFA

“Queen Of Illusions” was one of the finalists for the International Society of Acrylic Painters. It did not make the national exhibition but the juror stated this about “Queen Of Illusions,” a little vulgar, but with some stylistic eloquence.” The work did not make the final draw.

Andrew Kent-Marvick, Juror

Art Historian, Abstract Painter

"Summer Grasses" as Best Of Show. “Christine Alfery’s piece "Summer Grasses" is an expressive take on the traditional still life/landscape painting motif. Bright circles of color dance within deep black scrawls, while black and white stripes dart between drippy white washes. The aggressive marks create dense pockets of activity and then die out into the white void. The painting easily slips between abstraction and representation and then back, revealing new depths with each visit. The evidence of the artist's hand is present throughout the piece, from frantic gestures to long finger swipes through the background. The personal scale of the piece creates a one-to-one relationship with the viewer, confronting you as you stand before it. I felt compelled to trace the artist's hand, retracing the record of activity. The overall painting mixes a formal grace with direct application of the materials to create stunning and mature work. "Summer Grasses" is my choice for Best in Show for tackling a traditional subject and imbuing it with a skillfully- executed and fresh perspective.

Scott Stullen, Judge

Walker Art Center, Minneapolis, MN

“Colored Leaves In The Grass” “This large scale watercolor is an exceptional mix of spontaneity and expressiveness, combined with the ethereal beauty of a colorful garden. It seems simultaneously carefree and carefully composed, and the palette is both understated and lush.” 

Laura Fiser

Curator of Collections & Exhibitions Paine Art Center, Oshkosh, WI

“Winter Light: Downey’s and Birches” won an Award Of Excellence at the 22nd Annual Midwest Seasons Exhibition. “Winter Light, Downey’s and Birches is the kind of piece that just draws you into a different world. The layers of subtle color, along with the expressive, active line work results in a piece you can spend some time with.”

Denise Presneill-Weidner

Through the artist’s use of line, texture and bright color, simple “organisms” almost literally bounce and wriggle through a watery patch of sea green, gold, brick red and murky violet. The visual play is very entertaining.

Julie Ganzer

University of Wisconsin-Madison

She works in a variety of paint mediums, including watercolor and acrylic and creates abstract floral images. Her images seem to grow organically across the canvas in a palette that can only be described as the happiest of colors. Alfery’s exhibit promises to be a patch of spring as we in the U.P. begin to eagerly await the end of winter.

Keweenaw Peninsula Chamber Of Commerce

"This award was the most difficult to choose because I had to select from two marvelous pieces by the same artist. “Campfire" is equally compelling as a painting in a different medium. "Campfire" was given an honorable mention, but it could just have well been best of show. Ultimately, "Fish'n" was chosen for its playful use of the watercolor medium. Christine experiments successfully with a broad array of media-handling techniques her assured gesture, use of line and color keep the viewer's eyes actively moving across the surface, and contrast of transparent and opaque color masses resulted in a painting that both makes one think and is visually pleasurable." Nancy Lamers stated that the "acrylic gesture, of "Campfire" united to give the impression of the campfire. Without a title to aid the viewer, the painting is just as fine. Mark making, dragging the tool energetically through paint, is a delightful kinesthetic experience for the viewer, surely as it was for the artist while creating. Light, dark contrast and textural changes, from barely noticeable to dynamic, add complexity.

Nancy Lamers, Judge

Professor of Art at Alverno College, Milwaukee, WI

“Celebrate – Celebrate – Dance To The Music.” “The combination of color and texture create a unified composition with both abstract and pictorial elements. There is an almost whimsical quality to the line work.”

Brian Borchardt

Smith Scarabocchio Art Museum.


Alfery does not possess the demons of her predecessors and, in fact, believes that her acrylic and watercolor paintings are divinely inspired. She says “there is something extremely beautiful and powerful within me that emerges when I paint. “She embraces it and treasures it. Her art is more about the emotional experience than the physical reality.

Gay Scheffen

News Of The North

Christine’s work is “playful and has a nice energy.” 

Stephen Quiller, AWS

Christine “has the ability to use strong merging color from warm to cool The eye plays with the curved shapes. There is a nice use of linear components which blend with the background colors.’’ 

Robert Stowers

University of Wisconsin Stevens Point, WI

So much energy.

Nate Wilson

Nicolet College, Rhinelander, WI

The Blanche Ames National Juried Art Exhibition. “Lovely festive, like many songs of the heart.”

Viewer’s Choice Award Comment

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